Meistaraspjall með Sigurjóni Sighvatssonar, framleiðanda Lynch, skáldinu Sjón og Floriu Sigismondi, heiðursgesti hátíðarinnar um goðsögn David Lynch og stöðu súrrealismans í kvikmyndum eftir andlát hans. Er enn rými fyrir óhefðbundnar raddir og hvað hefur arfleifð David Lynch gert fyrir kvikmyndatungumálið? Á súrrealismi í kvikmyndum enn erindi? Nokkrar af helstu stuttmyndir Lynch verða sýndar og ræddar. Í kjölfarið verður óvænt uppákoma í Bíó Paradís sem enginn sannur aðdáandi Lynch vill missa af. Eftir meistaraspjallið verður boðin upp brjóstmynd af David Lynch eftir listakonuna Klaudia Karolina Kaczmarek.
Eftirfarandi stuttmyndir eftir David Lynch verða sýndar í meistaraspjallinu:
The Alphabet (1968, 4 min)
A haunting mix of live-action and animation, inspired by a child’s nightmare, exploring themes of anxiety and the fear of learning.
The Amputee (1974, 4-5 min)
A darkly comedic single-take scene featuring a woman (played by Catherine Coulson) writing a letter while a nurse (played by Lynch) tends to her amputated legs.
The Grandmother (1970, 33 min)
A surreal tale of a neglected boy who grows a grandmother for comfort, blending live action and eerie animation, with a distinctive sound design by Alan Splet.
Premonitions Following an Evil Deed (1996, 52 sec)
Created using the original Cinematographe for the film Lumière et compagnie, this intense, fragmented short captures police discovering a body while a woman wrestles with disturbing visions.
Six Figures Getting Sick (Six Times) (1966, 1 min)
Lynch’s first foray into film, a looped animated piece depicting distorted human figures experiencing sickness and combustion, originally presented as a moving sculpture.
